2013-02-16

【感念】Donald Byrd


2011年,Mizell Brothers的Fonce Mizell離開人世。不到兩年,2013年2月,與他們長期合作傳奇爵士小號手Donald Byrd也去世,結束80年的生命。

Donald Byrd對於黑人音樂的影響不只在爵士樂界,我認為後來的節奏藍調與嘻哈也深受其益,儘管中文報導幾乎隻字未提(只見新浪全球新聞:http://dailynews.sina.com/bg/ent/music/sinacn/20130207/23314237372.html)。

生平不多述,且讓我們從音樂中遙祭這位大師。





2013-02-09

【僵持】為下一世代許諾之Osunlade和Eric Roberson

前幾日,Osunlade抽出2013年新專輯《A Man with No Past Originating the Future》中的〈The Realm of Difference〉加入影像成為一道關懷:



我想起Osunlade曾提攜的晚輩好友Eric Roberson2001年《The Esoteric Movement》也有著一曲〈New Born Child〉,也許晚近黑人對於現世的關注不同於二、三十年前澎湃洶湧,即將過年之際,回頭看看這一年的我們的生活環境,讓我益加憂心於未來的孩子還能平穩度日嗎?平和的社會哪裡去了?

Eric Roberson,〈New Born Child〉:

【Live】Jesse Boykins III & MeLo-X Live from Converse Rubber Tracks

2013-02-02

【十三】Sa-Ra Creative Partners

Sa-Ra成員Shafiq Husayn與Om'Mas Keith不約而同於2013年分頭進擊各自推出新作品,但也別忘了Taz Arnold在2012年的作品現一併附上更顯豐富,如下:

Om'Mas Keith

City Pulse




加強版本:http://www.mediafire.com/?32wz01lm8o5cx5a


Shafiq Husayn

Pre-Alignment Vol. 1: Beatstrumentals & Dialog: A Prelude To The L∞P 





Taz Arnold

Rad America

【嶄新】P.SO the Earth Tone King - Vertebrae (The Gateway) / Vertebrae (The Gateway)

P.SO the Earth Tone King - Vertebrae (The Gateway)


P.SO the Earth Tone King ft. Andrew Reid - Vertebrae (The Gateway)



2013-01-12

【新年】Leila - Influences



巴塞隆納的女聲Leila深受爵士音樂影響(Chet Baker, Ella Fitzgerald, Maceo Parker, Erikah Badu, Jill Scott...),這張短小專輯,輕柔中卻隱含爆發力--向影響者致敬也可以用更高段的方式。



全專輯試聽:

2012-12-21

【MV】4hero - Escape That


I feel it's time that we depart
For futures that means there's no start
All hopes and a sense that we may feel
'Cause peace has lost its mass appeal

Concern has fostered change of mind
Now all that's certain is a passing of time
With patience gone, now greed prevails
Oblivion time we set sail

But it's not as bad as it may seem
I know a place that's found in dreams
The visions in my mind let me see
That Heaven's gates may truly be
Where your inner soul is known to you
And spiritual ground is captured too
If you open your mind you'll be welcome to

Escape that (Going back, going back, back, back)
Escape that (Going back, going back, back, back)
Escape that (Going back)
Where's there's no wrong
When life was strong

Escape that (Going back, going back, back, back)
Escape that (Going back, going back, back, back)
Ooh Escape that (Going back)
Where's there's no wrong
When life was strong

(Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
(Going back)
Where's there's no wrong
When life was strong

Escape that (Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
Escape that (Going back, going back)
Where's there no wrong
When life was strong

I was once told that nature's plan
Was God's way of looking after Man
That carelessness has a price to pay
Now all that's certain is Judgment Day

Mortality's doom has left a trail
At this moment it seems to fail
Selfishness has a destructive path
Regret be felt in the aftermath

But it's not as bad as it may seem
For I know a place that's found in dreams
The visions in my mind let me see
That Heaven's gates may truly be
Where your inner soul is known to you
And spiritual ground is captured too
If you open your mind you'll be welcome, welcome to

(Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
Escape that (Going back)
Where there's no wrong
When life was strong

Ooh Escape that (Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
Ooh Escape that (Going back)
Where there's no wrong
When life was strong

(Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
Where there's no wrong
When life was strong

(Back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
(Going back, going back, back, back)
Where there's no wrong
When life was strong

version ii.

final version.

2012-12-15

【嘹喨】Feloney Davis - Finders Keepers




Feloney Davis,九零年代美聲團體Public Announcement(R. Kelly帶出)主唱,時隔許久,2012年繳出個人專輯Finders Keepers,半嘶吼高音依舊不減;他的重返,是歲末的小驚喜。

可至以下網頁試聽:

http://www.cdbaby.com/cd/feloneydavis1
or


單曲Appear to Be全試聽:

【享樂】Ginuwine - Pony / Remix by D'Vo

London Washinton D.C. connection.



2012-12-02

【匍匐】Sean Mauricette a.k.a. SUBLIMINAL ft. AZ Yet & Darien Dean - Holiday Love



應景歌曲(還免費!!!!),由Sean Mauricette a.k.a. SUBLIMINAL與Darien Dean(請搜索我寫過的文章:[紀錄] 2009年上半年R&B專輯之選)合作,特別的是AZ Yet擔任合聲,Herb Middleton(SWV、Changing Faces、Kenny Lattimore、 Mary J. Blige……)製作,完全是那九零年代New Jack Swing復刻。

Sean Mauricette(http://akasubliminal.com/)目前在Herb與Janelle夫婦兩人主理的NuVybe Records(在此之前出版過:https://www.cdbaby.com/cd/akaSUBLIMINAL)。NuVybe Records苦心經營獨立黑人音樂,成員來自英國、加拿大、美國等不同國度,曲風亦橫跨HipHop、Jazz、R&B等派別;在世道艱辛的現下,Herb Middleton的用心及不言退,確實值得鼓勵與支持。



* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * 


Darien - 《If These Walls Could Talk》



繼2008年Coultrain的《The Adventures of Seymour Liberty》之後,2009年的Darien是讓我感動到久久不能自已的R&B男聲。

最先對Darien產生興趣的的英國人。

2008年,音國電子團體Reel People和Realm先後隔海邀請Darien分別為其單曲獻聲。這位雙親牙買加移民,為紐約土生土長的多才多藝音樂人,由於父親早逝,母親必須以修補鞋子為業,年幼的Darien並沒有迷失在街頭巷弄中,他發現了自己擁有舞蹈才華,日後所組的第一支音樂團體The Colab走的是HipHop路線,於紐約的大小表演場所都留下其足跡。
 
在擔任編舞老師的同時,Darien又發現了自己的另一項才華。不只是HipHop之類的freestyle,他對於製作與寫作R&B也滿是興趣,在創作許多歌曲之後,他加入了位於哈林區的Righteous Music Media,並且在與英國團體交流音樂的過程當中,終於在2009年完成了《If These Walls Could Talk》的專輯製作工作。

擁有健美體格、長相俊美的Darien,確實是才貌兼具、好比極盛期D'Angelo的明星(音樂與外表無一不缺);而他的《If These Walls Could Talk》專輯,整體說來就是一本音樂小說。

首先,專輯的封面與內頁找來專業的美術家Atiyah T. Thomas和Chad Griffith設計,賞心悅目;其次,Darien的歌詞敘述了他的成長與生活背景,不只談情說愛而已,文字運用的美感、韻律與流暢性,和曲調做出了完整搭配。身為舞者的Darien,舉手投足盡是優雅狀,接受訪問亦侃侃而談,好似《If These Walls Could Talk》就是他的人生自傳。

這就是「概念」,是Neo-Soul必備的要件之一,但是,Darien做的不是純然的Neo-Soul,只不過把Neo-Soul的要件,非刻意的、將流在血液裡的自然基因,自然不矯作的表現出來。《If These Walls Could Talk》雖有著Neo-Soul的高不可攀特性,卻在Darien高出同儕藝術天分許多的巧妙催化下,獲得高度平衡感。

一般說法是,Darien的聲音很像兩位前輩:Stevie Wonder和Rahsaan Patterson。我覺得Darien像Stevie Wonder的是轉音部分,像Rahsaan Patterson的音樂鋪陳部分,這比較就留給聽者自評。

這張專輯的所有歌曲都是Darien撰寫的,製作部分約有一半是自行製作,另外部分則找來名氣不大但在業界深受好評的製作人,其中包括Noel Zancanella、Terry L. Lewis、Philps "Philosophy" Lees、Marcus Fugate、Joey "Fijaicairo" Adarkwah……等人,而樂手也在長期合作的伙伴Robert Stephens III的統籌下完成編制工作,混音部分則請來流行樂界相當有名,負笈Berklee College of Music的塞爾維亞人Bojan Dugic擔綱。

這確實是一本很有看頭的音樂小說。

Darien不認為自己承繼了誰而來,也許是部分藝術家性格所影響,事實上,這張專輯的獨特點在於,擁有教學者身分的Darien清楚明白自己能夠製作、包裝何種易於讓人接受的R&B,特別是在現在這種難以定義R&B的年代,與其唱高調,不如貼近民心,唱些人們懂得的歌曲,而他所做的,不過是過去黑人音樂未受市場化的原型罷了。

live band和MPC的融合,是《If These Walls Could Talk》的另一個特色。Darien說,他會和其他製作人在MPC上敲出一些loop,然後延伸成為一個段落,而再加上現場樂師的實地演奏,揉合了不同時代的兩種元素;Darien和尋常可見的一人樂隊(One Man Army,一個人全包所有音樂工作)不同,他沒有捨棄樂師。

Darien的音樂是一本書,是一齣舞蹈劇,有情歌也有人道關懷,在Neo-Soul當道的黑人地下音樂市場裡,《If These Walls Could Talk》是一張聽了就會教人愛不釋手、必當珍藏的2009年上半年另一張必備品。

注:可先聆聽〈Just Can't Wait〉、〈Gone〉、〈Composure〉、〈Showya〉、〈Sail Thru〉、〈If These Walls Could Talk〉、〈Seasons〉(小情歌)、〈Whole Lotta Love〉(隱藏歌曲第二十一首)。