2009-06-10

【水兒】Nate Smith

  
 R&B / Neo-Soul又出現一位轉戰自Jazz的好手Nate Smith,先看看生平懶人包:

Nate Smith is an American drummer, keyboardist, composer, songwriter and producer. He was born on December 14, 1974 and is a native of Chesapeake, VA. His musical talent became apparent at the age of 11, after he found his brother’s old drum kit buried in his parent’s garage. He went on to earn a percussion performance scholarship and pursued his musical studies at James Madison University, where he received a B.S. in Media Arts and Design. After college, he was invited to continue his studies at Virginia Commonwealth University as a member of the Carpenter Fellowship Program.
 
While still in college, Nate was recruited by the great jazz singer Betty Carter to participate in her esteemed Jazz Ahead program, which has produced an impressive list of alumni including Jason Moran, Cyrus Chestnut, Jacky Terrasson, and Sonya Kitchell among many others. In graduate school he met and performed with the legendary jazz bassist and composer Dave Holland. He continued to perform occasionally with Dave over the next few years, finally joining his Grammy-award winning Quintet and Big Band in 2003. Shortly thereafter, Nate joined saxophonist Chris Potter’s group, Chris Potter Underground. Since then, Nate has gone on to perform and/or record with Jason Moran, Joshua Redman, Stefon Harris, Emily King, Patricia Barber, Adam Rogers, Craig Taborn, Scott Colley and many others.
 
Nate is also an accomplished songwriter and producer, having worked with Michael Jackson and Teddy Riley on the song “Heaven Can Wait” on Mr. Jackson’s Invincible album. He recently formed his own production company, Waterbaby Music, Inc., and released his first EP, Workday: Waterbaby Music, Vol. 1.0. For more information about Mr. Smith’s production and songwriting, please visit www.waterbabymusic.com.

Nate Smith currently lives and works in New York City.
 
 看完官方介紹之後,我們可以了解到Nate Smith是怎樣的人物了,這是他的MySpace:http://www.myspace.com/waterbabymusic。Nate Smith於2007與2008年之間出版了這樣一張EP,《Workday, Waterbaby Music, Vol. 1.0》,曲目如下:

01. I. (Dream Sequence) Come And Go With Me
02. II. Monday Morning (featuring John Gordon)
03. III. I'm Rushing Over (featuring John Gordon)
04. Eye Contact (featuring Paul Moses of Good Company and Ali Shaheed Muhammad)
05. Small Talk
06. Come Back To Bed (featuring John Gordon)
07. Midnite-Daylight
08. Come Back As A Flower (featuring Yahzarah aka Purple St. James)

目前可以聽到的單曲是專輯第二首歌
〈II. Monday Morning (featuring John Gordon)〉

 
以及第三首歌
〈III. I'm Rushing Over (featuring John Gordon)〉
http://popolio.wordpress.com/2009/01/04/my-top-ten-hot-tracks-from-2008-7-nate-smith-im-rushing-over/

 當然,我們不能把這兩首歌的獻唱人John Gordon給遺漏了,這是他的MySpace:http://www.myspace.com/deaconoffunk。MySpace裡頭的歌曲也有可聽性,收錄於他的未發表專輯《John Gordon 2000-03 Yahya's Music》。好一個真假音難辨的歌喉。
 

2009-06-07

【靈魂】DJ Phaze - Gypsy Soul's Ear Candy Chronicles Vol. 1

 
http://www.djphaze.com/

這張超過40分鐘的mixtape,曲目是近兩年來的neo-soul之選,而且男女比例恰如其分,可以感受neo-soul這種不易形容的曲風,分別在男女表現上的差異性。

中間有好幾段串場是DJ Phaze找來當事人的獻聲,因此是掛保證的好聽。(第10首,大注目!)

tracklist
01. Lydia Ceasar - Daughter Of A Preacher
02. Jazzy - A.W.O.L.
03. W. Ellington Felton - Gimme Some Action
04. Johnny Popcorn - Johnny's Secret
05. Darien - Gone
06. Chester Gregory - If You Only
07. Kimberly Nichole - Peace Of Mind
08. Jaspects - Unifunk
09. Yahzarah - Radio
10. Curt Chambers & Franklin Bridge - Love's Fool
11. Jaiden, The Cure - Borrow Your Cape

同場加映
Martin Luther - Last Few Days Freestyle
 
 

2009-06-01

【MV】Darrius Willrich - Can't Get Enough

 
 來自美國西雅圖的Darrius Willrich,以穩定的姿態於2003、2005、2008年出版了三張個人專輯(曲風為Soul/R&B/Jazz),這首〈Can't Get Enough〉是最新專輯《Can't Get Enough》的同名曲,充滿著我認為「好音樂」的必備品──誠意。

 很出色的現場演出。

 http://darriuswillrich.com/
 http://www.myspace.com/darriuswillrich
 

 

2009-05-31

【飲鴆罷收】Lance Ellington - We May Not Have to Be Alone

 
消失的七月,無痕。
如妳所言:「愛情的降溫,最適宜發生在這個季。」

我點頭,面朝歲月緩緩呼吸著......

Lance Ellington - We May Not Have to Be Alone
 
http://www.deezer.com/track/we-may-not-have-to-be-alone-T919379
  

2009-05-22

翻譯書籍時的兩個大原則

 
Q1:校譯時,若遇到同一人物,
   在A處以姓出現、
在B處以名出現(或者暱稱、小名),
   這種狀況要如何表達呢?


 依我的經驗,按原文翻譯較為適妥。
 因為作者會一會兒用名或一會兒用姓,也許有其意義,也許無其意義,但無論如何,依照原文是最高指導原則,除非你能直接與作者作進一步溝通,否則我寧可照原文翻譯,讀者這時的心領神會就相對的顯得重要了。

Q2:若外國文學出現神話譬喻,
   類似的典故需要用「編按」交代嗎?
  
或者要設計注釋?還是不管它呢?

 這和上個問題很類似,如果譯者加入編案是否會造成閱讀障礙呢?
 要是我的話,會先選擇:章節注 > 書末注 > 逐頁注 > 字後注,以上是有注的情況而且注不會多到難以忍受;而不管它的話就回到前個問題,不給「編按」,一切交由讀者感受了。
 
 然而所有的前提是:你是編輯身分,就得先問boss或參考社內先前書籍慣例;沒慣例或不統一或boss無意見(判斷是否真的無意見),就自己斟酌了。
 

2009-05-16

虹揅

   
緘默之中
沿著夢的阡陌邁進

沉靜的虹漸次凋謝
光影搖曳、生輝
塑成真實──

陳年舊事之後
沾了天空的折射
依舊收藏於心(那怎堪回首的畫面一再重演)
破曉時的初醒
引領靈魂走向更深遠的珠路
但我們卻睜眼,在同一齣夢裡
淚光閃爍卻不留情分
 
足矣。
 

2009-05-14

【藍吉】RUN, the De La Soul!!!!!!!!!!!!

 

 
http://insidenikerunning.nike.com/2009/05/04/run-with-de-la-soul/
http://en.wikipedia.org/wiki/Are_You_In%3F:_Nike%2B_Original_Run


De La Soul睽違五年
和Nike的最新合作《Are You In?: Nike + Original Run》已問世
這44分鐘長的「馬拉松」可以在iTunes得到它

tracklist
01. Mornin' Rise ft. Raheem DeVaughn
02. Good Morning
03. Big Mouf
04. Attack of the Stet
05. Pick Up the Pace (Run)
06. Poetic Greed ft. Gina Loring
07. Greedy Man ft. Billy Ray
08. Victory Laps
09. We O.D. Forever
 

2009-05-13

【爾來】Brutha

 
Def Jam的五人團體Brutha,2008年出版同名專輯,應該是這幾年主流市場較具「男孩團體型態」者。
 
 
 
主打歌曲〈I Can't Hear the Music〉與同廠牌的Fabolous合作
  
慢歌表現也很出色
 〈Set It Off〉
 〈Love Lockdown (Acapella)
 

2009-05-10

【梭巡】Don't Take It Personal

 
 原曲出於Jermaine Jackson的第12張錄音室專輯《Don't Take It Personal》(1988年出版),這也是他在Arista唱片的最後一張專輯而他的真正最後一張專輯則是在LaFace唱片的《You Said》)。儘管Jermaine Jackson不若弟弟Michael Jackson的功業彪炳,但他仍是Jackson家族音樂史不可或缺的要角。Jermaine Jackson最著名的專輯是1979年在Motown出版的《Let's Get Serious》。
 
  

 接著,在2005年,長期於英國發展的雙胞胎男子雙人美聲組合Kloud 9,他們的第二張專輯重新詮釋了這首歌曲,並且邀請著名的薩克斯風手Kirk Whalum加油添味,比原曲多了一份都會之感。
 

2009-05-09

【MV】Benito - Show Me Some Love

 

 
Benito的音樂簡單來說就是「九零年代情色R&B」
出版兩張專輯(1995與1997年)後就此「退出」
這種類型的男歌手在當時可以排成一個連隊(也就是上百人)
服完短期役就「迅速退伍」(因為他們通常都只出一或兩張專輯)

〈Show Me Some Love〉是Benito第一張專輯的同名單曲
整張都是這種調調
很適合Lovers~